Surprisingly, there has so far been little study to use Charles Collins’s work on paper as the basis of critical discussion, and nothing which takes it as a primary point of focus apart from a single chapter which reported that Collins was ‘distinguished alike as artist and author,’ a gentle, shy and sensitive person perhaps unfairly consigned to oblivion, has little to say of an analytical nature. Continue reading “No. 20: Charles Allston Collins at 40”
